Kiki Smith (°1954) bouwde haar internationale reputatie als beeldend kunstenaar op haar rauwe en obsessieve maar tevens integere en poëtische verkenning van het lichaam. Ze toont delen van het lichaam, vergroot het uit, deconstrueert en herleest vitale functies. De keuze van fragiel materiaal - stof, plaaster, glas, papier - intensifieert de zintuiglijke ervaring en onthult sociale, historische en spirituele implicaties. Er is echter geen sprake van eufemisme noch van exhibitionisme. Cruelty, violence, disease, disaster, birth, death ... form our daily life. Kiki Smith confronteert ons met de grenzen van het zijn en de onzekerheid van het leven. Het leven, universeel verankerd in het sublieme mysterie van het lichaam. Woorden verschijnen en de muren worden ingenomen door vogels, vleermuizen en sterren. "I went from the microscopic to organs to systems to skins to the religious body to cosmologies". Tekeningen, sculpturen en prints van dieren komen nu frequent in haar werk voor. Kiki Smith creëert een compleet universum.
Kiki Smith was born in 1954 in Nuremberg, Germany. The daughter of American sculptor Tony Smith, Kiki Smith grew up in New Jersey. As a young girl, one of Smith's first experiences with art was helping her father make cardboard models for his geometric sculptures. This training in formalist systems, combined with her upbringing in the Catholic Church, would later resurface in Smith's evocative sculptures, drawings, and prints. The recurrent subject matter in Smith's work has been the body as a receptacle for knowledge, belief, and storytelling. In the 1980s, Smith literally turned the figurative tradition in sculpture inside out, creating objects and drawings based on organs, cellular forms, and the human nervous system. This body of work evolved to incorporate animals, domestic objects, and narrative tropes from classical mythology and folk tales. Life, death, and resurrection are thematic signposts in many of Smith's installations and sculptures. In several of her recent pieces, including "Lying with the Wolf", "Wearing the Skin", and "Rapture", Smith takes as her inspiration the life of St. Genevieve, the patron saint of Paris. Portrayed communing with a wolf, taking shelter with its pelt, and being born from its womb, Smith's character of Genevieve embodies the complex, symbolic relationships between humans and animals. Smith received the Skowhegan Medal for Sculpture in 2000 and has participated in the Whitney Biennial three times in the past decade. Smith's work is in numerous prominent museum collections, including the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art, and the Museum of Contemporary Art, Los Angeles. A major retrospective of Smith's prints and multiples is being organized by The Museum of Modern Art for 2003-04. Smith lives and works in New York City.